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© Stephen Thomas Erlewine /TiVo More info Of course, Nowell's death gives the record a certain pathos, but that doesn't make the album any stronger.
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The low moments don't arrive that often - by and large, the album is quite engaging - but they happen frequently enough to make the record a demonstration of the band's blossoming ability, but not the fulfillment of their full potential. Sublime sags when the band delves too deeply into their dub aspirations or when their lyrics slide into smirking humor. Switching between bracing hardcore and slow, sexy reggae numbers, Sublime display supple, muscular versatility and, on occasion, a gift for ingratiatingly catchy hooks, as on the hit single "What I Got." What they don't have is the vision - either lyrical or musical - to maintain interest throughout the course of the entire album. Even so, the trio does have a surprising grace in its unabashedly traditionalist fusion of Californian hardcore punk, light hip-hop, and reggae. As a show of sympathy, the album tended to be slightly overrated in some critical quarters, who claimed that Nowell was an exceptionally gifted lyricist and musical hybridist, but Sublime doesn't quite support those claims. Sublime's eponymous major-label debut arrived a few months after the band's leader, Brad Nowell, died tragically of a heroin overdose. And they seem headed for excellence when the next song, “Santeria,” mixes up the style and the pace of the album and provides a catchy singalong ear-worm (in a good way.Purchase and download this album in a wide variety of formats depending on your needs. So, the band is doing pretty well on this record so far. And the song, though simple, rocks pretty hard. That entire event – the trial, the acquittal, the riots – was very formative to who I am as a person, so I’m interested in any media dealing with it. I’m not sure what “Miami” refers to.) The song’s got a groove and a menacing feel that climaxes as Nowell sings, “let it burn, wanna let it burn” at 2:48, and follows it up with a list of cities. (The band purportedly participated in the Long Beach unrest. Men oflow estate.' ' In lowliness of mind esteem others better than yourselves.' invader. The lyrics basically celebrate looting, which I don’t agree with, but give an insight into the mindset of some rioters. It uses recordings of actual police calls from Long Beach, CA, the band’s hometown, to supplement the song’s lyrics. The song describes the rioting that occurred after the acquittal of the fuckhead cops who beat Rodney King in LA in 1992. Sublime’s penchant for adopting hip-hop sounds is best exemplified on the next song, their big hit “What I Got,” which features scratching and samples behind a folk-rock ditty.
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The song also keenly uses the P-Funk hooting-organ sound from “Mothership Connection” that made millions for Dr. It’s a testament to his friendly style that my reaction is to say “Thank you, no,” instead of immediately fleeing. Then, after impressively using the word “shit” three times in six lines, he joyfully rattles off a list of horrible living conditions (picking up trash on the freeway, living in a tweaker pad, etc) before finally inviting you, the listener, to join him.
He veers from the awe over the love that he found (reggae) and his devotion to his Dalmatian, Lou-dog, to stealing anything and putting needles in his arm. Guitarist/Singer Bradley Nowell, who sadly died of a heroin overdose before the record was released, has a fun-loving-but-poor-decision-making persona that comes across in his lyrics. The minimalist, reggae-style bass line from Eric Wilson has a nice sound.
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Drummer Bud Gaugh sets a shuffle pace, establishing a cool, mellow groove.